Richard Lynch, as Cromwell, ponders what to do with Simon MacCorkindale (in background) as Nina Van Pallandt awaits orders in THE SORCERER AND THE SWORD
Richard Lynch, who made a couple of PEPLUM films including THE BARBARIANS (1987) died last month, on June 19, 2012 (Simon MacCorkindale passed away two years ago). Richard was a perennial villain. He probably made a few films when he was a good guy but I haven't seen one yet. Anyone who watched films on vhs during the 1980s saw him on a regular basis.
Monday, July 9, 2012
Sunday, July 8, 2012
Photo of the Day
Spartacus (Kirk Douglas) is left to die on the cross in SPARTACUS
Posted by
PEPLUM cinema
British PEPLUM posters
When Italian/Euro PEPLUM epics were dubbed in English, it wasn't only for the US market as these British posters attest. Most of these posters are for films which weren't released theatrically this side of the Atlantic. The titles are also different. In this case the top three have different titles. THE SLAVE WOMAN was released as QUEEN OF BABYLON in the US, the only film from this bunch to have made it at the movies. Because of this these posters are rarities and should fetch a lot of money but the PEPLUM genre is alas not highly regarded.
I found most of these posters at this link
Posted by
PEPLUM cinema
Ernest Borgnine R.I.P. 1917-2012
Ernest Borgnine died today at the age of 95.
Ernest made several PEPLUM films, including DEMETRIUS AND THE GLADIATORS (above), BARABBAS and THE VIKINGS. Ernest won an Oscar for Best Actor for MARTY back in 1955.
Posted by
PEPLUM cinema
Saturday, July 7, 2012
Photo of the Day
One of them is Michèle Morgan in FABIOLA
Posted by
PEPLUM cinema
A soundtrack without a film
From TWO STEPS FROM HELL, it's a compilation of music made specifically for trailers and for many film fans out there this music is better than the actual soundtrack in the final film. The music by Thomas Bergersen is especially very PEPLUM-like.
Posted by
PEPLUM cinema
Friday, July 6, 2012
Photo of the Day
Karis (Daniela Rocca) is about to feel the wrath of Theocrites (Sergio Fantoni) in THE GIANT OF MARATHON
This slapping scene is memorable, in more ways than one.
Posted by
PEPLUM cinema
Lobby Card set: HERCULES UNCHAINED Italian
Posted by
PEPLUM cinema
Thursday, July 5, 2012
Photo of the Day
Kirk Morris tries to fend off a rampaging rhino in ANTHAR THE INVINCIBLE
I'm all for suspension of disbelief but this is one of the few moments when I'm thinking "eh, the rhino would toss Kirk around like a rag doll." Those animals are powerful. But it's cool that they used something else than a lion or tiger.
Posted by
PEPLUM cinema
Doppelgänger
Bacchus by Caravaggio
John Belushi in ANIMAL HOUSE; ok John is a bit scruffier but I always get a kick about the resemblance, certainly the eyebrows.
Posted by
PEPLUM cinema
Amazing Reenactments
Last week I made friends with or liked several Facebook profiles which show Roman reenactments, which are, imo, truly stunning. Check these out. The top photo is one of my favorites. The costumes, gear, weapons, etc are all top notch. And the photos are spectacular.
Posted by
PEPLUM cinema
Wednesday, July 4, 2012
Photo of the Day
Commander Claudius (Stewart Granger) introduces Pontius Pilate (Basil Sydney) to Salome (Rita Hayworth) in SALOME
This photo is a publicity shot because when Salome meets Claudius and Pontius in the film they're standing on the ship's deck and it's shot in a studio, not outside like this photo suggests. Also, this entire moment happens in the evening or at dusk so everything was darken with filters, which doesn't show as much information as this fabulous photo. Another case of a single black & white photo being greater than the actual moment in the film. Why didn't they shoot it this way? It's so much more dramatic. Movies made in the past where made this way: whenever there's a scene with dialogue it had to be shot in a controlled environment like a studio while the bigger wide angle scenes (people mingling, etc) where shot outside.
This photo is a publicity shot because when Salome meets Claudius and Pontius in the film they're standing on the ship's deck and it's shot in a studio, not outside like this photo suggests. Also, this entire moment happens in the evening or at dusk so everything was darken with filters, which doesn't show as much information as this fabulous photo. Another case of a single black & white photo being greater than the actual moment in the film. Why didn't they shoot it this way? It's so much more dramatic. Movies made in the past where made this way: whenever there's a scene with dialogue it had to be shot in a controlled environment like a studio while the bigger wide angle scenes (people mingling, etc) where shot outside.
Posted by
PEPLUM cinema
Prometheus
Are these images from a science-fiction film or are they from a PEPLUM?
Of course the name Prometheus is from Greek mythology even if this is a sci-fi. I love films, sci-fi or any kind, which are sorta based in Greek mythology (duh!) but I also love original stuff and how far reaching or mind boggling can a sci-fi film like this Ridley Scott production be if it's based on stories or characters which are thousands of years old? I have been reluctant to see this after too many disappointments with Ridley Scott films from the past two decades but I do know that these guys are engineers.
Posted by
PEPLUM cinema
Tuesday, July 3, 2012
Photo of the Day
Genevieve Grad realizes Gianna Maria Canale was killed accidentally during a cat-fight in CONQUEROR OF CORINTH
This scene is frustrating because first, the cat-fight is way too short. Second, even if it's short the cat-fight is one of the highlights of the film but then this brings up the third frustrating point: it signals the end of Gianna's role which means we won't see the beautiful Queen of Cinecitta for the remainder of the film.
This scene is frustrating because first, the cat-fight is way too short. Second, even if it's short the cat-fight is one of the highlights of the film but then this brings up the third frustrating point: it signals the end of Gianna's role which means we won't see the beautiful Queen of Cinecitta for the remainder of the film.
Posted by
PEPLUM cinema
Stand-In
A behind-the-scenes example of a stand-in during the shooting of THIEF OF BAGHDAD: Giovanni Cianfriglia and Edy Vessel sit still while they set up the shot. The buff Giovanni is standing-in for Steve Reeves while Edy has no stand-in. Below is how the shot looks like in the final film. Giovanni was Steve's "official" body double/stuntman for many films.
Posted by
PEPLUM cinema
Monday, July 2, 2012
Photo of the Day
Pivotal scene from THE EGYPTIAN
Great use of CinemaScope and color. A scene like this is a cliché of sorts in PEPLUM films. I'll make a banner of this scene.
Posted by
PEPLUM cinema
Movie Poster Mondays
French poster for SON OF ALI BABA
Colorful and stylish but it sorta makes you realize how miscast Tony was.
Posted by
PEPLUM cinema
Sunday, July 1, 2012
Photo of the Day
Pietro Torrisi and Mario Novelli during a duel to the death in THE BARBARIAN MASTER
No, they are not sharing a piece of gum there.
Sometimes I feel like I know everything about PEPLUM genre and sometimes I feel like I don't. I've watched this film a million times (ok, not a million...), I've even uploaded a scene from this film on Youtube and I never realized that Mario Novelli was in it. Doh!
Posted by
PEPLUM cinema






























