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It always makes me chuckle a bit when evil characters in movies, PEPLUM or not, look evil. I like both Gloria and Mimmo and both of them have had their share of good and bad characters. Gloria is good in playing an evil person but I prefer her when she's good. On the other hand, Mimmo, even though he has played good characters, has almost been cast as some nefarious character. This movie is no exception. They're good but it's played a bit on the cliched side. The clothes Mimmo wears in this movie is a bit much, sometimes it even doesn't fit him (he was really buff in this film). What Gloria is wearing leaves no doubt that she ain't a nice person. Fun film with some really quotable lines.
I recently got a ton of HD copies of 29 or so titles from two sources. I will be going over these one by one until I've covered them all. I really like ATTACK OF THE NORMANS and I was happy I got a quasi-HD print (not 720p but not 1920p either). The image clarity is amazing. It's such a great film made even better now. It's from a streaming source in Italy. My source in Europe added the English audio to it. I have no idea if it will ever be released on Blu-ry but it should.
Is a love story important in a PEPLUM movie? Personally, I don't mind it if it actually adds a lot to the story. In most cases, such as this one, it's often just padding. I'm not familiar with Anna Maria Pace. I looked her up at IMDb and according to the film's profile at the website, she only appeared in 4 movies. She was also in BRENNUS - ENEMY OF ROME (1963). I don't think she's awful in it and I actually don't mind the love angle here but this movie, which I love and have watched many times, is filled with padding. It has not one but two major dance scenes, and there's this love story. There's at least 30 minutes of padding. No, I'm not exaggerating. I still love it because it's so colourful and entertaining. It's one of the most original PEPLUM films to come out of the PEPLUM explosion, but I call it as it is. The script spends such an inordinate amount of time on the friendship between Forest and Giuliano Gemma that anything else seems superfluous. In my view, removing the love story in the case wouldn't have made any difference.
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In this scene at the beginning, Lysia (Marchal) hits Nidia (Benetti) with his chariot. This sets off the story in this long and complex version of based on the novel, THE LAST DAYS OF POMPEII. Personally, and this is just me, I don't care much for stories which start by an accident or something out of the characters' control. To me, it always seems to be a bit of lazy writing. It doesn't diminish the movie's worth but I find such 'crashes into a story' kind of plot point facile. Do people actually continue to be friends with people they crash into?
In this scene, everything looks great. The costumes, including Marchal's, the crowd, the lighting, It all looks amazing. Production wise, this movie is excellent. But the story, as I wrote in the BY THE GODS! magazine on disasters, is long and complex for nothing really. BTW, I didn't colourize the image because the movie is in black & white.
I usually post about special effects every other week but now with so many new HD films I got recently, I will go over these files and temporary stop the posts on special effects.
This HD print is stunning. The clarity in some scenes is breathtaking. These screenshots don't do it justice. The movie always had nice prints on DVD. But this HD streaming print blows every other ones previously available
Burt Nelson is an American actor, born in Brooklyn, and who starred in a handful of PEPLUM movies. His most famous role was in REVOLT OF THE SLAVES (1960. He also starred in REVENGE OF THE CONQUERED (1962). That's him in the image on the left. But he also starred in WITH FIRE AND SWORD (1962), the image on the right, and yet he's not credited. I always wondered what happened. Everyone in the list of credits for the movie is accounted for except for a Bruno Nessi, who has not other acting credit. But Burt's name is not on the list. Now that is Burt on the right. He's still uncredited at IMDB and Wikipedia. Burt apparently introduced Reg Park to filmmakers in Rome.
In the original novel, Lygia is bound on top of a bull, naked, as Ursus fights with it and tries to save her. For the 1951 film, they clearly couldn't do this so they opted for Lygia being tied to a pole. It's a good compromise but it's clearly not as dramatic. The 2004 mini-series replicated the scene as it was in the book. The poster for the 1913 silent movie shows Lygia on the bull but fully clothed. Side note: speaking of nude, Deborah seems to be showing.